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Opinions, Qatar

Rethinking the Countryside

An interview with architect Samir Bantal on AMO/OMA's recent exhibition in Doha

In recent years, AMO, the research and strategy arm of OMA, has turned its attention to territories beyond the city. Its ongoing research into rural transformation—first explored in the exhibition Countryside, The Future—continued in a new exhibition presented in collaboration with Qatar Museums in Doha. Expanding on this earlier work, the project examines the countryside as a site of technological change, ecological pressure, and new forms of settlement that challenge long-standing assumptions about the primacy of the urban. In this interview with EastEast editor Furqat Palvan-Zade, Samir Bantal, director of AMO, reflects on the motivations behind the research and the shifting relationship between city and countryside.

Furqat Palvan-Zade: The countryside is often understood as a victim of urban expansion: historically, a site of agricultural or mineral extraction that sustains the city. Yet since the postwar period, this relationship has partly inverted. Suburbanization, white flight in the United States, and the relocation of corporate infrastructures—such as data centers—into rural territories suggest a withdrawal from the city as a regulated civic space. In this sense, the countryside can appear not only as a resource base but also as a challenge to urban civic life. How do you define the countryside, and why should architects think about it today?

SAMIR BANTAL:One of the striking things about this question is that it keeps returning, no matter how long you work on the subject. We deliberately avoided defining the countryside too rigidly, because the perspective from which you observe it constantly shifts. Are you looking at it from the standpoint of someone who lives there, someone who has left for the city, or someone who is trying to reach it? In that sense, the countryside becomes almost a notion of “the other place”—something we try to grasp but never fully capture.

That ambiguity was part of the motivation behind our research. Architects and planners have historically concentrated on cities, while the countryside has remained largely outside their field of attention. Yet our intense focus on urbanization may be reaching its limits. The twentieth-century city was built on the assumption of continuous growth—economic, demographic, and infrastructural. Today, that assumption is increasingly unstable. Many Western cities are shrinking while maintaining infrastructures designed for expansion. This creates a basic contradiction: how do you sustain systems built for growth when society itself is no longer expanding?

Your suggestion that the countryside might appear as an enemy of the city is interesting. We usually imagine the opposite—that cities threaten rural landscapes. But what we increasingly see are the limits of the urban model itself. Cities concentrate creativity, capital, and knowledge, yet they cannot solve every problem. Food production is a simple example. We often imagine technological fixes—vertical farms producing strawberries or lettuce—but you cannot feed the world on strawberries and lettuce. Agriculture still depends on soil, landscape, and scale.

Rather than maintaining a strict opposition between city and countryside, it may be more productive to recognize the incompleteness of the city itself. For a long time, cities presented themselves as places of prosperity and innovation. Today, we are beginning to see that this model cannot function on its own. Instead of preserving the duality between city and countryside, we may need to rethink how their qualities could coexist.

Countryside—A Place to Live, Not to Leave. Exhibition view. © Marco Cappelletti Studio, courtesy of AMO / OMA.

(FP) One possible reading of the exhibition is that it implicitly identifies the countryside with the Global South. Moving through the display, the vast Afro-Asian region can appear set against a more urbanized West, almost as a rural counterpart. Rather than treating this as a critique to resist, I wondered whether this pairing might have been intentional. How do you see the relationship between the countryside and the Global South?

(SB) During the research, we realized that many of our assumptions needed correction. Historically, the countryside has been represented through heroic imagery—the farmer who feeds the family, the village, or even the nation. At the same time, modernity framed the countryside as backward, something destined to disappear with technological progress and industrialization.

What became clear is that this narrative is largely Western.

I grew up in the Netherlands, but every summer my family returned to Morocco to visit my grandparents in the countryside. My grandfather was a farmer, and those visits shaped my sense of belonging. My parents always described the trip as going home, even though we lived in Europe. As a child, that confused me, but it also revealed something important: it was possible to inhabit two worlds simultaneously—urban life in one place and rural belonging in another.

This dual existence is common among migrant communities. Many North African families spent most of the year in European cities and returned each summer to their villages. Movement between city and countryside became part of the rhythm of life.

At the same time, many cities in the Global South are relatively young. Large-scale urbanization has taken place only in recent decades. Africa in particular is entering a period of enormous demographic growth—by 2050, roughly one in four newborns worldwide is expected to be African. This raises an important question: should development simply reproduce the urban model that shaped Western cities, or might other forms of settlement emerge?

One example we examined was Kenya, where younger generations—especially Gen Z—are actively questioning this relationship. Rather than choosing between city and countryside, they are exploring ways in which the two could exist in a continuous relationship, almost as a gradient rather than a clear divide. That approach may ultimately prove more humane and sustainable than simply replicating Western patterns of urbanization.

Countryside—A Place to Live, Not to Leave. Exhibition view. © Marco Cappelletti Studio, courtesy of AMO / OMA.

(FP) The exhibition draws on a large number of conversations with experts and accumulates a vast amount of information. In some ways, its form itself seems symptomatic of contemporary research—almost like a spatial manifestation of the information overload characteristic of the age of Google and AI. Do you see the exhibition as containing a call to action? What might follow from this project?

(SB) Beyond the countryside research itself, I have become increasingly interested in the institutions that structure our societies—things like the nation-state, the welfare state, and democracy. Over the past few years, many of these institutions have begun to feel unstable. Even in countries once defined by strong welfare systems, it is no longer clear whether those structures still function as they did in the past.

Across the world, we see democratic institutions being challenged and, in some cases, deteriorating. This raises the question of whether we are moving toward a kind of post-society, in which many of the frameworks established after the Second World War no longer hold.

If that is the case, it will largely fall to younger generations to rethink these systems. For them, many of the promises of capitalism are already breaking down. Housing is increasingly unaffordable, resources feel scarce, and the idea of endless growth appears less convincing than it once did.

The exhibition does not offer a single solution, but rather seeks to demonstrate that other possibilities exist. In Countryside, The Future, presented at the Guggenheim Museum in New York, the concluding sections painted a rather bleak picture: sustaining urban lifestyles would require reorganizing the countryside on an immense scale, almost sacrificing it to support the city.

In the newer exhibition in Doha, we tried to shift that perspective. We looked, for example, at a nomadic community in Kyrgyzstan that actively questions whether adopting a fully modern lifestyle is even desirable. Their position suggests something quite radical: perhaps constant growth is not necessary for a meaningful life. Perhaps surplus production and expansion are not the only ways to sustain society.

For me, that is where the hope lies. Not in a single blueprint, but in recognizing that the models we treat as inevitable are only one possibility among many.

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Contributors
Samir Bantal
Samir Bantal is an architect and director of AMO, OMA’s research and design studio, which applies architectural thinking to fields beyond architecture. He joined OMA in 2015 and has directed AMO since 2016. His work explores the relationship between architecture, contemporary culture, media, technology, and institutions. He co-curated Countryside: The Future with Rem Koolhaas and has led AMO’s ongoing research into rural transformation.
Furqat Palvan-Zade
Editor-in-chief of EastEast, independent curator, researcher, and filmmaker. Since 2014, he has worked on the syg.ma project – a community-driven publication and an expanding online archive of texts on society and art. In 2023, he started a Ph.D. program at Yale’s Slavic and Eurasian Languages and Cultures department.